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  • Narration as Argument
    Narration as Argument

    This book presents reflections on the relationship between narratives and argumentative discourse.It focuses on their functional and structural similarities or dissimilarities, and offers diverse perspectives and conceptual tools for analyzing the narratives’ potential power for justification, explanation and persuasion.Divided into two sections, the first Part, under the title “Narratives as Sources of Knowledge and Argument”, includes five chapters addressing rather general, theoretical and characteristically philosophical issues related to the argumentative analysis and understanding of narratives.We may perceive here how scholars in Argumentation Theory have recently approached certain topics that have a close connection with mainstream discussions in epistemology and the cognitive sciences about the justificatory potential of narratives.The second Part, entitled “Argumentative Narratives in Context”, brings us six more chapters that concentrate on either particular functions played by argumentatively-oriented narratives or particular practices that may benefit from the use of special kinds of narratives.Here the focus is either on the detailed analysis of contextualized examples of narratives with argumentative qualities or on the careful understanding of the particular demands of certain well-defined situated activities, as diverse as scientific theorizing or war policing, that may be satisfied by certain uses of narrative discourse.

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  • Photographic Elicitation and Narration in Teachers Education and Development
    Photographic Elicitation and Narration in Teachers Education and Development

    This open access book discusses the functionality of the use of the language of photography in teachers' initial and ongoing training.It analyzes the nature of photography as a representation system, facilitating inquiry and reflection on its practice for teachers and evocating on theories and beliefs that may guide their work in classrooms.Photography is used to represent symbolically and affectively possible contradictions in teaching activities or the inconsistencies between planned teaching tasks and the educational purposes pursued.Resolving these conflicts is one of the ways to promote professional development.This book also describes photo-elicitation and photographic storytelling as work procedures.By analyzing the contributions of these techniques, the development of teachers is improved.

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  • Picturebooks: Representation and Narration
    Picturebooks: Representation and Narration

    This volume discusses the aesthetic and cognitive challenges of modern picturebooks from different countries, such as Denmark, France, Germany, Norway, Spain, Sweden, United Kingdom, and USA.The overarching issue concerns the mutual relationship between representation and narration by means of the picturebooks’ multimodal character.Moreover, this volume includes the main lines of debate and approaches to picturebooks by international leading researchers in the field.Topics covered are the impact of paratexts and interpictorial allusions, the relationship between artists’ books, crossover picturebooks, and picturebooks for adults, the narrative defiance of wordless picturebooks, the representation of emotions in images and text, and the depiction of hybrid characters in picturebooks.The enlargement of the picturebook corpus beyond an Anglo-American picturebook canon opens up new horizons and highlights the diverging styles and genre shifts in modern picturebooks.This tendency also demonstrates the influence of specific authors and illustrators on the appreciation of the picturebook genre, as in the case of Astrid Lindgren’s picturebooks and the picturebooks created by renowned illustrators, such as Anthony Browne, Wolf Erlbruch, Stian Hole, and Bruno Munari.This book will be the definite contribution to contemporary picturebook research for many years to come.

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  • The Crisis of Narration
    The Crisis of Narration

    Narratives produce the ties that bind us. They create community, eliminate contingency and anchor us in being. And yet in our contemporary information society, where everything has become arbitrary and random, storytelling becomes storyselling and narratives lose their binding force. Whereas narratives create community, storytelling brings forth only a fleeting community – the community of consumers.No amount of storytelling could recreate the fire around which humans gather to tell each other stories.That fire has long since burnt out. It has been replaced by the digital screen, which separates people rather than bringing them together.Through storytelling, capitalism appropriates narrative: stories sell.They are no longer a medium of shared experience. The inflation of storytelling betrays a need to cope with contingency, but storytelling is unable to transform the information society back into a stable narrative community.Rather, storytelling as storyselling is a pathological phenomenon of our age.Byung-Chul Han, one of the most perceptive cultural theorists of contemporary society, dissects this crisis with exceptional insight and flair.

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  • Does anyone know this Hadith narration?

    I'm sorry, but I am an AI and do not have the ability to know specific Hadith narrations. However, if you provide me with the text of the Hadith narration, I can try to help you understand its meaning or provide some context.

  • What is the difference between narration and inner monologue?

    Narration is the act of telling a story or describing events from an external perspective, often in the third person. It is the voice of the author or narrator guiding the reader through the story. Inner monologue, on the other hand, is the internal thoughts and feelings of a character expressed directly to the reader. It provides insight into a character's emotions, motivations, and inner conflicts. While narration is the external voice guiding the story, inner monologue is the internal voice of the character.

  • What is the difference between reportage, report, and narration?

    Reportage is a style of journalism that involves in-depth reporting and analysis of a particular event or issue, often with a focus on storytelling and human interest. A report is a formal account of an event, situation, or investigation, typically presented in a factual and objective manner. Narration, on the other hand, refers to the act of telling a story or recounting events, often from a subjective or personal perspective. While reportage and report are more closely associated with journalism and factual reporting, narration is often used in literature and storytelling to convey a particular perspective or point of view.

  • Can you find me a Hadith about the narration of Umar (ra)?

    One famous Hadith narrated by Umar (ra) is about the importance of intention in actions. In this Hadith, Umar (ra) reported that he heard the Prophet Muhammad (peace be upon him) saying, "Verily, deeds are only with intentions. Verily, every person will have only what they intended." This Hadith emphasizes the significance of having sincere intentions in all our actions, as our intentions determine the value and reward of our deeds in the sight of Allah.

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  • Narration in the Fiction Film
    Narration in the Fiction Film

    Most films tell tales, but what does that involve? How do motion pictures tease us into building what we all agree to call stories?In this study, David Bordwell offers the first comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse storytelling patterns to construct their fictional narratives.The result is a pioneering, far reaching work which will change the way we perceive narrative film and which every serious film scholar, student or fan will welcome.Bordwell begins his study with an overview of general approaches to narration.Drawing on the insights of certain theories- in particular Russian formalist aesthetic theory and cognitive psychology for its notion of how the viewer contributes to the process of narrative comprehension- he formulates a new concept of narration that is uniquely applicable to fictional cinema.Films, Bordwell argues, are patterned systems that prompt spectators versed in narrative conventions to construct a story.Since cinema is a medium involving both time and place, he considers how these factors affect the concrete process of film narration and help shape the spectators’ story comprehension. If the conventions of story making very from medium to medium, they also vary historically.Dominant modes of film narration, Bordwell suggests have furnished tacit conventions for film makers and audiences at different periods.Characterising four of these modes as classical Hollywood cinema, the European ‘art cinema’, the Soviet historical materialist film and parametric narration, he examines the history and specific strategies of each. Ultimately, however, Bordwell offers more than abstract theory.Demonstrating how his concept of narration can aid in the critical analysis of particular films and film makers, he provides fresh discussions of such movies as ‘His Girl Friday’, ‘The Big Sleep’, ‘Rear Window’ and ‘La Guerre est Finie’.In director Jean-Luc Goddard, Bordwell finds particularly telling reference point; the Frenchman's films derive their particular difficulty and charm, he argued, by parodying, mixing and subverting those narrative conventions which audiences have learnt to trust.

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  • Hollywood Incoherent : Narration in Seventies Cinema
    Hollywood Incoherent : Narration in Seventies Cinema

    In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling.Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry.Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema. In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking.He examines not just formally eccentric films—Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes—but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others.With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema.

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  • Ice Cream Man, Volume 9: Heavy Narration
    Ice Cream Man, Volume 9: Heavy Narration

    The wheels on this sorry ice cream truck continue to spin round and round! Presented here: four more chilling chapters that chafe and chew at the human mind: a bifurcated tale of woe/whimsy; a small story about two unlucky tramps; a bestiary of some very necessary monsters; and a look into the big ol' belly of a whale. Please do enjoy your continued trip down this never-ending well! We’ll hit the bottom eventually... Collects ICE CREAM MAN #33-36

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  • Science, Technology And Innovation Indicators : Lessons from the Development Experience in Africa
    Science, Technology And Innovation Indicators : Lessons from the Development Experience in Africa


    Price: 39.95 £ | Shipping*: 0.00 £
  • Can you find a hadith about the narration of Umar (ra) for me?

    One hadith narrated by Umar (ra) is found in Sahih al-Bukhari, Book 73, Hadith 116. In this hadith, Umar (ra) narrates that the Prophet Muhammad (peace be upon him) said, "Actions are judged by intentions, so each man will have what he intended." This hadith emphasizes the importance of sincerity and intention in one's actions, and is often quoted in discussions about the significance of one's intentions in Islam.

  • Does market research hinder innovation in business administration?

    Market research does not necessarily hinder innovation in business administration. In fact, it can provide valuable insights into consumer needs and preferences, helping businesses to develop innovative products and services that meet market demands. By understanding market trends and customer behavior, businesses can identify opportunities for innovation and stay ahead of competitors. However, relying too heavily on market research without allowing room for creativity and risk-taking can limit the potential for groundbreaking innovations. It is important for businesses to strike a balance between leveraging market research and fostering a culture of innovation to drive success in business administration.

  • What do you do in the exploration analysis?

    In the exploration analysis, I conduct an initial investigation of the data to understand its characteristics and identify any patterns or trends. This involves performing descriptive statistics, data visualization, and data cleaning to gain insights into the dataset. I also look for any outliers or missing values that may need to be addressed. Additionally, I may conduct preliminary hypothesis testing to guide further analysis. Overall, the exploration analysis helps to inform the next steps in the data analysis process and provides a foundation for more in-depth analysis.

  • What is the difference between primary research, secondary research, and market exploration?

    Primary research involves collecting data directly from the source, such as through surveys, interviews, or observations. This type of research is conducted by the researcher and is tailored to the specific needs of the study. Secondary research, on the other hand, involves analyzing existing data and information that has already been collected by others, such as academic journals, government reports, or industry publications. Market exploration is a broader term that encompasses both primary and secondary research methods and involves investigating the market to gather information about consumers, competitors, and industry trends in order to make informed business decisions.

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